January 2007

Jonas Everets Design isn't wasting any time jumping right into the new year. We're excited to announce that we have moved into a new, bigger and brighter space. In this month's newsletter, we're featuring a beautiful townhouse for Bunny Williams with Venetian Plaster and a completely new wall finish created specifically for this project. You'll also see Jonas's latest painting, the second in the "Shell" series. And as always, Jonas loves hearing from you. You can email him here. Hope you enjoy!

Recent Project-  Upper East Side Townhouse for Bunny Williams  

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Recently we had the opportunity to work with Bunny Williams in a stunning upper east side townhouse. After consulting with the client we were excited to create something truly special to complement their extraordinary furnishings and art collection. The upstairs walls were finished in Venetian Plaster for a classically elegant look. The walls have the appearance of texture with a image 6radiant earth tone. For the downstairs of the townhouse, we were especially excited to have the opportunity to develop a completely unique finish- Marmorino with Mica Flakes. Marmorino has a bit more texture than Venetian Plaster so the addition of mica made it an especially interesting surface. After working through a process involving many sample boards and experiments with color, different sized mica flakes and overall texture we found the perfect combination. The end result was subtle and finely nuanced giving the space a warm, soft glow. You can see a close up in the detail to the left. To see all the images of the complete project, take a look at our website at jonaseveretsdesign.com.

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shell paintingArt

Shell Painting #2

2006    

acrylic, canvas, silkscreen, vellum   

56 x 42 "

Repetition can be meditative. It is consistent and even. If the image is foreign it can become quickly familiar. In this painting, the second of the series, Jonas uses a family of symbols and places them evenly across the surface of the painting. There is a familiarity to them. They are exact and specific, yet they can't be named definitively. They seem to lie somewhere between a flower and Japanese armor. Placed over an intricately painted shell, they appear to be both organic and manmade. Jonas's paintings are full of contradictions and similarities. They are hard and soft, masculine and feminine, organic and scientific. They possess a mysterious beauty that crosses cultures. Ultimately, it is this beauty that draws the viewer in, the repetition that soaks into the conscience and the many layers of content that keep you looking. To see more of Jonas's paintings visit the website at jonaseveretsdesign.com.

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Jonas would love to hear from you. Contact Jonas directly at jonas@jonaseveretsdesign.com.